Jerusalem is an unusual city. For starters, it's the only major city in the world not built on a body of water (lake, river, ocean). This is because it had its start as a religious center, whereas all other major cities had their start as commercial centers, and until very recently transportation of goods required easy water access, to say nothing of the necessity of drinking and washing water for a large population.
Jerusalem is also a holy city to three different religions, Judaism, Christianity, and Islam. They are all Abrahamic religions, sharing some version of what the Christians call the Old Testament as a crucial text, all monotheistic, believing in only one god—in fact the same God. So from the point of view of, say, Buddhism they may look fairly similar. But these three religions all consider followers of the others infidels, which understandably leads to tensions. There are plenty of other holy cities, such as Mecca for Muslims or Rome (or at least Vatican City) for Catholics, but no others where three religions vie for dominance.
Jerusalem was founded roughly 1000 BC, traditionally by King David, and was important as a religious center. Its original Temple, supposedly built by David's son King Solomon, claimed to have the Ark of the Covenant, a symbolic representation of Noah's Ark and the agreement that God reached with Noah not to flood the earth again. It was a small city, maybe a few thousand people at most (in even smaller footprint than what is now the Old City), but very important as a religious and cultural center. When the Persian Cyrus the Great of Babylon defeated the Jews and captured Jerusalem in the sixth century BC, the Jews could hardly wait to get back and rebuild the Temple. When the Romans drove most of the Jews out of Jerusalem in 70 AD, they spent over 1800 years hoping to get back soon. When the modern state of Israel was founded in 1948, with only a small slice of Jerusalem as part of the new country, they could hardly wait to capture it all, as they did in 1967.
Jerusalem has great symbolic value. The New Jerusalem is a biblical metaphor taken now to mean heaven. Even today, Jews at Passover promise, "Next year in Jerusalem," an old call to return to the Holy City, which is now interpreted to mean establishment of peace and prosperity for Jews.
Meanwhile of course Jerusalem also became a Christian holy city when Jesus was crucified there around 30 AD. It was from there that the Christian religion originally spread, and it was thoroughly Christian under the late Roman Empire until it was conquered by Muslims in the seventh century AD. Christians (and a few Jews) continued to live there, but Islam became the dominant religion both in Jerusalem itself and in the broader region the Romans had called Palestine. Especially important for Islam was the mosque known as Dome of the Rock, built on top of the ruins of the second Jewish Temple, and containing the rock that was supposedly both the altar on which Abraham was going to obey God and sacrifice his son Isaac and the place from which Mohammad miraculously ascended into heaven.
For medieval Christians, Jerusalem continued to be a holy city. Churches were oriented toward the east, symbolizing pointing toward Jerusalem. Throughout the Middle Ages people made pilgrimages to Jerusalem to see all the holy sites, like the Church of the Sepulcher or the Mount of Olives, and to walk "on the ground where Christ's feet trod" as they put it.
In 1095, when the Byzantine patriarch needed some assistance in fighting the Turks and called on the pope for help, he got to his surprise not some companies of soldiers to help him as he'd hoped, but a whole army that intended to capture Jerusalem from the Muslims. Much to everyone's shock, including their own, this First Crusade succeeded, and the Christian Kingdom of Jerusalem was established in 1100. This included not just the city but much of the Holy Land.
It lasted however only about three generations, being constantly attacked by Muslims who wanted back what they considered their country. After steadily losing territory, the city of Jerusalem itself fell in 1187 to Saladin, ending Christian rule but not Crusades, which continued throughout the Middle Ages though with increasingly less success.
Modern Jerusalem, or at least the Old City in Jerusalem, is one of the richest archaeological sites in the world. It has remains of buildings, streets, water courses, and human habitation going back to the Canaanite civilization pre-David, and remains from the era of the Hebrew kings, and on top of that Persian ruins, a lot of Roman and Byzantine-era buildings, Muslim structures, Crusader fortifications and churches, and Turkish remains—and that's just the pre-1500 material. The December 2019 issue of National Geographic has a big article on "Jerusalem underground." As you can imagine in a city already divided by three antagonistic faiths, archaeology itself is a fraught subject.
For that matter, the Christians can't all agree. The Church of the Sepulcher is divided up between different Christian denominations, and no one is supposed to touch anyone else's spot. It was a great scandal when it was discovered that a stepladder had been moved, a few years back.
© C. Dale Brittain 2019
For more on medieval religion, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
Tuesday, December 17, 2019
Thursday, December 12, 2019
The Shroud of Turin
The Shroud of Turin is a remarkable object, a piece of linen with an image of a dead man depicted with dark red stains that might (maybe) be blood. The man is shown as a photographic negative, light for the parts that would have been dark and vice versa. Since the Middle Ages the linen has been thought by many to have been a burial shroud for Jesus after the Crucifixion.
On the left is a modern photograph of the face on the Shroud, the way it appears if you just looked at it now. On the right is a photographic negative, showing how the image comes alive when one photographs it using black and white film and then looks at the film (the negative) rather than printing it. Understandably, this has raised major questions, because this couldn't have been seen before the invention of photography in the nineteenth century (it wasn't indeed noted until around 1900).
The Shroud first showed up in the fourteenth century in France. It was in the possession of a man known as a notorious relic-monger. Indeed, the bishop of Troyes declared it a fraud in 1390, saying it was designed to mislead the gullible, tricking them into visiting the church that had it and making offerings. The bishop also announced that the artist who created it had confessed. Medieval people believed in relics but also made clear that one should not believe everything presented as such.
Nonetheless, the Shroud has continued to attract attention and belief over the centuries. In the sixteenth century it was acquired by the cathedral of Turin, where it has been ever since. It has become a major tourist attraction there, even though one cannot actually see it, instead just seeing the chapel where it lies. Actual viewings are very rare but also very popular.
There are enough odd things about it that many still assert its authenticity, even though it's hard to explain where it could have been for 1300 years and why no one knew about it. The strange "negative" effect has been discussed as the product of rays (?) emanating from the dead man, which of course would make more sense if the dead man were supernatural. Some people however have claimed to have reproduced something that looks a whole lot like the Shroud using medieval techniques.
Some have said (though it's been disputed) that the plant pollen found on the fibers are more typical of the Middle East than medieval France, though even if this is the case, it might only show the Shroud to be a fourteenth-century Middle Eastern creation. The carbon-dating of the fibers indicates a medieval date, though some have asserted that those who did the carbon-dating were misled by skin cells and the like left behind by people who touched and kissed the Shroud in the medieval period.
The modern Catholic church does not consider the Shroud a relic. A relic, as I've noted before, is either a body part of a saint or something a saint touched and used (the latter being so-called second-class relics). Rather, Pope Francis has called it an "icon." Like paintings or other depictions of Christ (including Byzantine icons) it is considered to have value in orienting the thinking of the faithful toward divine subjects, even if the object is not divine itself. The Holy Hanky of Cadouin, once thought to be stained with Jesus's sweat until its "decorative border" was revealed to be a statement of Muslim faith in Arabic, is similarly revered today as something to make the faithful ponder the life and death of Christ.
The Shroud thus indicates that people in the Middle Ages and the twenty-first century have reacted very similarly to relics: some want to believe, some are dismissive, some say there's a deeper meaning regardless of historical accuracy.
© C. Dale Brittain 2019
For more on medieval religion, see my ebook Positively Medieval, available on Amazon and other ebook platforms.
On the left is a modern photograph of the face on the Shroud, the way it appears if you just looked at it now. On the right is a photographic negative, showing how the image comes alive when one photographs it using black and white film and then looks at the film (the negative) rather than printing it. Understandably, this has raised major questions, because this couldn't have been seen before the invention of photography in the nineteenth century (it wasn't indeed noted until around 1900).
The Shroud first showed up in the fourteenth century in France. It was in the possession of a man known as a notorious relic-monger. Indeed, the bishop of Troyes declared it a fraud in 1390, saying it was designed to mislead the gullible, tricking them into visiting the church that had it and making offerings. The bishop also announced that the artist who created it had confessed. Medieval people believed in relics but also made clear that one should not believe everything presented as such.
Nonetheless, the Shroud has continued to attract attention and belief over the centuries. In the sixteenth century it was acquired by the cathedral of Turin, where it has been ever since. It has become a major tourist attraction there, even though one cannot actually see it, instead just seeing the chapel where it lies. Actual viewings are very rare but also very popular.
There are enough odd things about it that many still assert its authenticity, even though it's hard to explain where it could have been for 1300 years and why no one knew about it. The strange "negative" effect has been discussed as the product of rays (?) emanating from the dead man, which of course would make more sense if the dead man were supernatural. Some people however have claimed to have reproduced something that looks a whole lot like the Shroud using medieval techniques.
Some have said (though it's been disputed) that the plant pollen found on the fibers are more typical of the Middle East than medieval France, though even if this is the case, it might only show the Shroud to be a fourteenth-century Middle Eastern creation. The carbon-dating of the fibers indicates a medieval date, though some have asserted that those who did the carbon-dating were misled by skin cells and the like left behind by people who touched and kissed the Shroud in the medieval period.
The modern Catholic church does not consider the Shroud a relic. A relic, as I've noted before, is either a body part of a saint or something a saint touched and used (the latter being so-called second-class relics). Rather, Pope Francis has called it an "icon." Like paintings or other depictions of Christ (including Byzantine icons) it is considered to have value in orienting the thinking of the faithful toward divine subjects, even if the object is not divine itself. The Holy Hanky of Cadouin, once thought to be stained with Jesus's sweat until its "decorative border" was revealed to be a statement of Muslim faith in Arabic, is similarly revered today as something to make the faithful ponder the life and death of Christ.
The Shroud thus indicates that people in the Middle Ages and the twenty-first century have reacted very similarly to relics: some want to believe, some are dismissive, some say there's a deeper meaning regardless of historical accuracy.
© C. Dale Brittain 2019
For more on medieval religion, see my ebook Positively Medieval, available on Amazon and other ebook platforms.
Wednesday, December 11, 2019
Medieval burial
Cemeteries are important. Just because someone is gone, leaving only their body behind, that doesn't mean that their loved ones consider the body something to be tossed away. In the Middle Ages as now, people most commonly buried the dead, and the places where they were buried, the cemeteries, were special places.
Of course cemeteries as special places had a long history before the Middle Ages. In classical Rome, the dead were buried outside of town, because the living didn't want them coming back as ghosts at night. But the dead were still honored, often with monuments erected over their bodies or ashes.
This is a Roman memorial stone erected to honor a carpenter. If you look closely, you can see that he is sitting at a bench with his tools.
Under the late Roman Empire, important people started being buried in stone sarcophagi (that is, a stone coffin), often elaborately carved. As the Empire became Christianized, these images became Christian.
Early medieval saints had sarcophagi that were incorporated into the foundations of churches and continued to be revered over the centuries, as in the example below. A lot of early medieval churches were built quite literally over the dead.
Sarcophagi are expensive, however, so even the wealthy eventually gave them up. By the twelfth century people were buried in simple wooden coffins in church yards. Unlike modern cemeteries, however, there were no grave markers with the dead person's name. Indeed, because the church yard was fairly small and was used over many centuries, people were buried on top of other people once the old coffins had disintegrated. Being close to the church was still important, and they were places of memory and ritual. Being buried in a monastery's cemetery was an important side-benefit of making generous gifts to a monastery.
Starting in the thirteenth century, "gisants" were often erected over the graves of the wealthy and powerful, in a way going back to Roman-style monuments, in that the gisant was supposed to represent the dead person. The image below is of the gisant erected over the body of Eleanor of Aquitaine.
By the early modern period, these gisants could become quite elaborate. Cemeteries also were expanded by what were called litchfields, places to bury horrible sinners and unclaimed bodies, who might or might not deserve to be buried next to the church, since the churchyard was reserved for the faithful.
© C. Dale Brittain 2019
For more on medieval life and death, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
Of course cemeteries as special places had a long history before the Middle Ages. In classical Rome, the dead were buried outside of town, because the living didn't want them coming back as ghosts at night. But the dead were still honored, often with monuments erected over their bodies or ashes.
This is a Roman memorial stone erected to honor a carpenter. If you look closely, you can see that he is sitting at a bench with his tools.
Under the late Roman Empire, important people started being buried in stone sarcophagi (that is, a stone coffin), often elaborately carved. As the Empire became Christianized, these images became Christian.
Early medieval saints had sarcophagi that were incorporated into the foundations of churches and continued to be revered over the centuries, as in the example below. A lot of early medieval churches were built quite literally over the dead.
Sarcophagi are expensive, however, so even the wealthy eventually gave them up. By the twelfth century people were buried in simple wooden coffins in church yards. Unlike modern cemeteries, however, there were no grave markers with the dead person's name. Indeed, because the church yard was fairly small and was used over many centuries, people were buried on top of other people once the old coffins had disintegrated. Being close to the church was still important, and they were places of memory and ritual. Being buried in a monastery's cemetery was an important side-benefit of making generous gifts to a monastery.
Starting in the thirteenth century, "gisants" were often erected over the graves of the wealthy and powerful, in a way going back to Roman-style monuments, in that the gisant was supposed to represent the dead person. The image below is of the gisant erected over the body of Eleanor of Aquitaine.
By the early modern period, these gisants could become quite elaborate. Cemeteries also were expanded by what were called litchfields, places to bury horrible sinners and unclaimed bodies, who might or might not deserve to be buried next to the church, since the churchyard was reserved for the faithful.
© C. Dale Brittain 2019
For more on medieval life and death, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
Friday, December 6, 2019
Medieval climate change
Just as we are discovering now how much climate change can affect us, so medieval people were also affected by climate change. In both cases, humans seem able to mess things up much more easily than we are able to fix them.
(Any climate change deniers out there, don't bother. The science is completely clear. Even the oil companies are now shamefacedly 'fessing up that they've known that burning fossil fuels heats up the planet since the 1970s.)
The early and late Middle Ages were marked by mini ice-ages. The first one, starting in the sixth century, seems to have been precipitated by a huge volcano (maybe in Indonesia, reports vary), which threw so much dust into the air that there was a "year without a summer." Coming as this did at the same time as the outbreak of the Black Death in Europe, the population crashed. Even once the volcanic dust settled out of the atmosphere, the reforestation of lands that had been cultivated (no one was there to cultivate them anymore) helped keep the European climate cool for another couple of centuries. Just getting along and staying alive was a challenge.
This mini ice-age started to pass off in the ninth century and was definitely gone in the twelfth. Things were warming up, and from western Europe's perspective, this was great. More reliable growing seasons (less fear of early frost), along with better technology led to rapid population growth and an overall improvement in diet and living standard (which of course helped population growth). Towns began to grow for the first time since the days of the Roman empire.
Then, in the fourteenth century, another mini ice-age showed up. By the late thirteenth century Europeans had been farming more and more marginal land, as they had already cultivated all the best farm land but had more and more people to feed. So the population was already stressed when, in the early fourteenth century, a year without a summer and a repeat performance of the Black Death showed up at the same time.
We have much better documentation on what happened in the fourteenth century than the sixth. But the evidence of economic and population collapse in the later period certainly suggests that the earlier too must have been pretty awful.
This mini ice-age continued through much of the early modern period (that is, post-medieval). This is why, back in the early 1970s, a number of scientists thought we might be heading toward a new mini ice-age: the planet seemed to bring them around every six or seven hundred years. But hah! We fooled mother nature by starting to burn fossil fuel, which has prevented any such thing.
For the Middle Ages, cold was the problem. We have replaced it with heat as the chief problem. Medieval people did not burn fossil fuel, except very occasionally in a few places where pieces of this strange flammable block rock was found lying around, mostly on beaches.
Kind of depressing to realize that humans can improve things on earth much less than we hoped.
© C. Dale Brittain 2019
For more on medieval life, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
(Any climate change deniers out there, don't bother. The science is completely clear. Even the oil companies are now shamefacedly 'fessing up that they've known that burning fossil fuels heats up the planet since the 1970s.)
The early and late Middle Ages were marked by mini ice-ages. The first one, starting in the sixth century, seems to have been precipitated by a huge volcano (maybe in Indonesia, reports vary), which threw so much dust into the air that there was a "year without a summer." Coming as this did at the same time as the outbreak of the Black Death in Europe, the population crashed. Even once the volcanic dust settled out of the atmosphere, the reforestation of lands that had been cultivated (no one was there to cultivate them anymore) helped keep the European climate cool for another couple of centuries. Just getting along and staying alive was a challenge.
This mini ice-age started to pass off in the ninth century and was definitely gone in the twelfth. Things were warming up, and from western Europe's perspective, this was great. More reliable growing seasons (less fear of early frost), along with better technology led to rapid population growth and an overall improvement in diet and living standard (which of course helped population growth). Towns began to grow for the first time since the days of the Roman empire.
Then, in the fourteenth century, another mini ice-age showed up. By the late thirteenth century Europeans had been farming more and more marginal land, as they had already cultivated all the best farm land but had more and more people to feed. So the population was already stressed when, in the early fourteenth century, a year without a summer and a repeat performance of the Black Death showed up at the same time.
We have much better documentation on what happened in the fourteenth century than the sixth. But the evidence of economic and population collapse in the later period certainly suggests that the earlier too must have been pretty awful.
This mini ice-age continued through much of the early modern period (that is, post-medieval). This is why, back in the early 1970s, a number of scientists thought we might be heading toward a new mini ice-age: the planet seemed to bring them around every six or seven hundred years. But hah! We fooled mother nature by starting to burn fossil fuel, which has prevented any such thing.
For the Middle Ages, cold was the problem. We have replaced it with heat as the chief problem. Medieval people did not burn fossil fuel, except very occasionally in a few places where pieces of this strange flammable block rock was found lying around, mostly on beaches.
Kind of depressing to realize that humans can improve things on earth much less than we hoped.
© C. Dale Brittain 2019
For more on medieval life, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
Wednesday, November 27, 2019
Thanksgiving
Tomorrow is Thanksgiving in the US, so it's a good time to blog about the holiday. It's a harvest festival, which of course has a very long history, a time to celebrate the harvest being successfully brought in and settling down for winter. They had harvest festivals in the Middle Ages even though not Thanksgiving as we know it. A common day for such festivals was Saint Martin's day, November 11. (Incidentally, Canadian Thanksgiving comes earlier than the American one, usually celebrated on the day Americans celebrate Columbus Day.)
In the US we focus on the arrival of those we call the Pilgrims in what is now Massachusetts in 1620. The grocery store today, where people are coming to the realization that a 35 pound frozen turkey probably won't thaw by tomorrow, has adorable pictures of boys in buckle shoes and Indian maidens in buckskins interacting with cooked turkeys. Well, it wasn't quite like that. There's a reason that the descendants of the Massachusetts Indians of 1620 have been holding Days of Mourning at Plymouth on the last Thursday of November for fifty years now.
Initial interactions between the white arrivals and the local native Americans were (fairly) peaceful in the 1620s. They do indeed seem to have celebrated together in 1621, after the Europeans had managed to survive for a year (or at least half of them did) and even get in a harvest. They knew all too well that the first English settlers in Virginia, which was where they were heading before being blown off course, had all died, so just being alive was worth celebrating. But the legacy of European-native American interactions, as the Massachusetts Indians learned soon enough, was one of oppression and genocide, as vast swatches of the natives were killed off, either deliberately (right up through the later nineteenth century) or by disease.
Miscellaneous fun fact: the people we know as Pilgrims didn't call themselves that. That term only became applied some two centuries after their arrival in Plymouth. The term (common in the Middle Ages) meant taking a trip to a holy site, which the Americas were not. The English folks of 1620 were dissenters, people who disagreed with the Church of England and wanted a place where they could force their own beliefs on people without anyone telling them not to. The term Puritan may work better.
Other miscellaneous funk fact: the Puritans didn't call it a Thanksgiving. Their feast only started being called that in the nineteenth century, when there was an effort to bring it out, buff it up, and present it as a time of Europeans and natives getting along well, as the realization started to dawn that maybe killing off all the "savages" had perhaps been the tiniest bit cruel. In 1621 the Europeans called their feast a festival (and included such events as foot races and target shooting), because to them a "thanksgiving" would have required prayer and fasting, hard to do when you're eating a lot.
Now we've lost track of most of that history (or transmogrified it into adorable pictures), but Thanksgiving has become a good holiday in its own right. It's important to take time to think about all the good things in one's life. Even though Christmas decorations have been in the department stores for weeks, and Black Friday deals are all over the place, Thanksgiving is a good day to pause before getting all Christmas-frantic. It's become a holiday without a lot of fanfare, but one where families get together, eat special foods, and talk to each other.
Thanksgiving foods are almost all from the New World. Turkeys of course are--the Puritans brought domestic turkeys, descendants of Mexican wild turkeys, on the Mayflower with them. The corn for the cornbread stuffing is New World. So are the cranberries in the cranberry relish, the potatoes, and the pumpkin in the pie. Medieval people had feasts of course, but their dishes would have been very different.
The conversations around the Thanksgiving table are part of the holiday. Grandparents are urged to pass on family stories. There is great concern about how families are going to deal with sensitive political issues with weird old Uncle Frankie. It's interesting that "conversations around the Thanksgiving table" are a big thing, but no one worries about conversations around the table at Easter or Christmas, much less around the barbecue on Fourth of July. (Turkey makes one talkative?)
© C. Dale Brittain 2019
For more on medieval food and feasts, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
In the US we focus on the arrival of those we call the Pilgrims in what is now Massachusetts in 1620. The grocery store today, where people are coming to the realization that a 35 pound frozen turkey probably won't thaw by tomorrow, has adorable pictures of boys in buckle shoes and Indian maidens in buckskins interacting with cooked turkeys. Well, it wasn't quite like that. There's a reason that the descendants of the Massachusetts Indians of 1620 have been holding Days of Mourning at Plymouth on the last Thursday of November for fifty years now.
Initial interactions between the white arrivals and the local native Americans were (fairly) peaceful in the 1620s. They do indeed seem to have celebrated together in 1621, after the Europeans had managed to survive for a year (or at least half of them did) and even get in a harvest. They knew all too well that the first English settlers in Virginia, which was where they were heading before being blown off course, had all died, so just being alive was worth celebrating. But the legacy of European-native American interactions, as the Massachusetts Indians learned soon enough, was one of oppression and genocide, as vast swatches of the natives were killed off, either deliberately (right up through the later nineteenth century) or by disease.
Miscellaneous fun fact: the people we know as Pilgrims didn't call themselves that. That term only became applied some two centuries after their arrival in Plymouth. The term (common in the Middle Ages) meant taking a trip to a holy site, which the Americas were not. The English folks of 1620 were dissenters, people who disagreed with the Church of England and wanted a place where they could force their own beliefs on people without anyone telling them not to. The term Puritan may work better.
Other miscellaneous funk fact: the Puritans didn't call it a Thanksgiving. Their feast only started being called that in the nineteenth century, when there was an effort to bring it out, buff it up, and present it as a time of Europeans and natives getting along well, as the realization started to dawn that maybe killing off all the "savages" had perhaps been the tiniest bit cruel. In 1621 the Europeans called their feast a festival (and included such events as foot races and target shooting), because to them a "thanksgiving" would have required prayer and fasting, hard to do when you're eating a lot.
Now we've lost track of most of that history (or transmogrified it into adorable pictures), but Thanksgiving has become a good holiday in its own right. It's important to take time to think about all the good things in one's life. Even though Christmas decorations have been in the department stores for weeks, and Black Friday deals are all over the place, Thanksgiving is a good day to pause before getting all Christmas-frantic. It's become a holiday without a lot of fanfare, but one where families get together, eat special foods, and talk to each other.
Thanksgiving foods are almost all from the New World. Turkeys of course are--the Puritans brought domestic turkeys, descendants of Mexican wild turkeys, on the Mayflower with them. The corn for the cornbread stuffing is New World. So are the cranberries in the cranberry relish, the potatoes, and the pumpkin in the pie. Medieval people had feasts of course, but their dishes would have been very different.
The conversations around the Thanksgiving table are part of the holiday. Grandparents are urged to pass on family stories. There is great concern about how families are going to deal with sensitive political issues with weird old Uncle Frankie. It's interesting that "conversations around the Thanksgiving table" are a big thing, but no one worries about conversations around the table at Easter or Christmas, much less around the barbecue on Fourth of July. (Turkey makes one talkative?)
© C. Dale Brittain 2019
For more on medieval food and feasts, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.
Friday, November 15, 2019
Heretic Wind
I've got a new ebook! It's called "Heretic Wind," and I wrote it with my husband, Robert Bouchard. It's a fantasy set in an alternate version of southern France in the thirteenth century. Mystery, passion, sword fights, conflicts between heresy and orthodoxy, and lots of magic-working.
The following is the book's description, and here's the link to read the first chapter and to download it from Amazon.
"Galoran, scarred count of Peyrefixade, believes things are finally going well for him when the duke's beautiful daughter Arsendis agrees to marry him.
But heretics threaten the duchy, and the conflict becomes deadly when they kidnap Arsendis. Galoran and his magic-working spiritual advisor Melchior face treachery and betrayal as they pursue the kidnappers into the high mountains. They must make alliances with their enemies to try to rescue Arsendis, but before they can, even darker plots are revealed.
Set in an alternate version of southern France in the Middle Ages, the story is told from the alternating viewpoints of the two main characters. The outcome turns on mystery and passion, as they are forced to question their very beliefs to determine where true loyalty lies."
The book is the sequel to Count Scar, a book we wrote together about twenty years ago. But we thought there was more story possible and decided to write and publish it. This book can be read without reading Count Scar first, though it's the same characters in the same setting. (We figured even if people had read the first book a long time ago they probably wouldn't remember it, so we made sure it wouldn't be necessary to read that one first to enjoy this one.)
The geography is essentially southern France along the Pyrenees, though we've moved a few things around. The people however are our own invention, inspired in some cases by real medieval figures by not meant to represent anyone. The social setting however is mostly historically accurate—other than the fact that there's magic!
Because real medieval priests studied all sorts of knowledge, including works of classical (pagan) antiquity, we decided to have magic studied by priests in this world. Makes it different from most other fantasy books (including mine!), where magic and religion are on different sides, if religion appears at all.
The political machinations are simplified from real medieval political history, though some people who read Count Scar thought there was a lot of politics there and will probably think the same here. In fact real medieval political history is enormously complicated; that may be where George RR Martin has gotten stalled, trying to make his "Game of Thrones" world be as complicated as late medieval England really was. The biggest simplification was to leave out the fact that northern French forces invaded southern France in an effort to wipe out the heresy that informs a lot of the background for the story. (There was enough going on already without bringing in the Albigensian Crusade.)
© C. Dale Brittain 2019
The following is the book's description, and here's the link to read the first chapter and to download it from Amazon.
"Galoran, scarred count of Peyrefixade, believes things are finally going well for him when the duke's beautiful daughter Arsendis agrees to marry him.
But heretics threaten the duchy, and the conflict becomes deadly when they kidnap Arsendis. Galoran and his magic-working spiritual advisor Melchior face treachery and betrayal as they pursue the kidnappers into the high mountains. They must make alliances with their enemies to try to rescue Arsendis, but before they can, even darker plots are revealed.
Set in an alternate version of southern France in the Middle Ages, the story is told from the alternating viewpoints of the two main characters. The outcome turns on mystery and passion, as they are forced to question their very beliefs to determine where true loyalty lies."
The book is the sequel to Count Scar, a book we wrote together about twenty years ago. But we thought there was more story possible and decided to write and publish it. This book can be read without reading Count Scar first, though it's the same characters in the same setting. (We figured even if people had read the first book a long time ago they probably wouldn't remember it, so we made sure it wouldn't be necessary to read that one first to enjoy this one.)
The geography is essentially southern France along the Pyrenees, though we've moved a few things around. The people however are our own invention, inspired in some cases by real medieval figures by not meant to represent anyone. The social setting however is mostly historically accurate—other than the fact that there's magic!
Because real medieval priests studied all sorts of knowledge, including works of classical (pagan) antiquity, we decided to have magic studied by priests in this world. Makes it different from most other fantasy books (including mine!), where magic and religion are on different sides, if religion appears at all.
The political machinations are simplified from real medieval political history, though some people who read Count Scar thought there was a lot of politics there and will probably think the same here. In fact real medieval political history is enormously complicated; that may be where George RR Martin has gotten stalled, trying to make his "Game of Thrones" world be as complicated as late medieval England really was. The biggest simplification was to leave out the fact that northern French forces invaded southern France in an effort to wipe out the heresy that informs a lot of the background for the story. (There was enough going on already without bringing in the Albigensian Crusade.)
© C. Dale Brittain 2019
Wednesday, November 6, 2019
Dragons
Medieval-themed fantasy often includes dragons (mine does). But where did the dragons come from? The fact that western Europe, India, and China all have dragons in their folklore has made some speculate that dinosaurs somehow survived in hiding until a few centuries ago, coming out just often enough to be seen and join the folklore. This is of course wildly improbable, but it's fun to imagine.
But let's look at what dragons are supposed to look like. They are now usually portrayed as having four legs plus wings, as in the above image from 1890. (Does this mean they are a form of insect? I'll say No.) This makes them quite different from Chinese dragons, which while long and snaky and (usually) four-legged do not have wings. They do however tend to have big floppy ears. The image below shows the Chinese flag from the Qing dynasty (c. 1900). Chinese dragons are not nearly as ferocious as western ones, but you still wouldn't want to tangle with one.
Medieval dragons in the west might have neither wings nor legs. They were indeed often called Worms. Twelfth- and thirteenth-century images of Saint George or Saint Michael overcoming a dragon (such as seen below) usually showed a long, scaly creature closer to a snake than anything else. Our modern word dragon indeed comes from Latin draco, meaning a huge serpent or sea-serpent.
By the late Middle Ages distinctions were sometimes made between dragons, which had four legs, and wyverns, which had only two (plus wings), but really they were all dragons the whole time. They became common in heraldry, and kings and armies adopted them as symbols of courage and might (as in stories of Arthur Pendragon). For that matter, Roman legions had often used dragon-heads on their standards.
In medieval Norse culture, a common man's name was Orm, meaning literally worm (related to our modern English word) but really meaning dragon. The Vikings put dragon-heads on their ships. (You may recall that in The Hobbit Tolkien had Smaug called a worm as well as a dragon.)
Dragons appeared in occasional medieval stories, most notably in Beowulf, where the hero went out as an old king to defeat one and save his people, which he did but died in the process. Siegfried/Sigurd, in both the Norse Saga of the Volsungs and the German Nibelungenlied, got his start by killing a dragon, who had originally been a human before greed for gold turned him into a dragon.
Dragons, you will notice, are bad in these accounts, deserving to be killed. George RR Martin has kept the ferocity of medieval dragons in his Song of Ice and Fire (inspiration for "Game of Thrones"), even though they can be befriended. But medieval dragons could take other forms as well.
One medieval monk said that he had seen a dragon (the only account we have of someone saying he really had seen one, rather than telling a story that included one). His doesn't match any of the stories. He described it as what we would think of as a blimp, hundreds of yards long, legless, floating in the air. He was understandably surprised and observed it for an hour or more. For him, its principal issue was as a sign or portent, and he had to figure out what it portended. He ended up deciding it was like Leviathan in the Bible. Leviathan, principally known from the Book of Job as a huge, horrible monster did breathe fire (as do modern depictions of dragons), though the monk's floating dragon did not.
© C. Dale Brittain 2019
For more on medieval literature, see my ebook, Positively Medieval: Life and Society in the Middle Ages.
But let's look at what dragons are supposed to look like. They are now usually portrayed as having four legs plus wings, as in the above image from 1890. (Does this mean they are a form of insect? I'll say No.) This makes them quite different from Chinese dragons, which while long and snaky and (usually) four-legged do not have wings. They do however tend to have big floppy ears. The image below shows the Chinese flag from the Qing dynasty (c. 1900). Chinese dragons are not nearly as ferocious as western ones, but you still wouldn't want to tangle with one.
Medieval dragons in the west might have neither wings nor legs. They were indeed often called Worms. Twelfth- and thirteenth-century images of Saint George or Saint Michael overcoming a dragon (such as seen below) usually showed a long, scaly creature closer to a snake than anything else. Our modern word dragon indeed comes from Latin draco, meaning a huge serpent or sea-serpent.
By the late Middle Ages distinctions were sometimes made between dragons, which had four legs, and wyverns, which had only two (plus wings), but really they were all dragons the whole time. They became common in heraldry, and kings and armies adopted them as symbols of courage and might (as in stories of Arthur Pendragon). For that matter, Roman legions had often used dragon-heads on their standards.
In medieval Norse culture, a common man's name was Orm, meaning literally worm (related to our modern English word) but really meaning dragon. The Vikings put dragon-heads on their ships. (You may recall that in The Hobbit Tolkien had Smaug called a worm as well as a dragon.)
Dragons appeared in occasional medieval stories, most notably in Beowulf, where the hero went out as an old king to defeat one and save his people, which he did but died in the process. Siegfried/Sigurd, in both the Norse Saga of the Volsungs and the German Nibelungenlied, got his start by killing a dragon, who had originally been a human before greed for gold turned him into a dragon.
Dragons, you will notice, are bad in these accounts, deserving to be killed. George RR Martin has kept the ferocity of medieval dragons in his Song of Ice and Fire (inspiration for "Game of Thrones"), even though they can be befriended. But medieval dragons could take other forms as well.
One medieval monk said that he had seen a dragon (the only account we have of someone saying he really had seen one, rather than telling a story that included one). His doesn't match any of the stories. He described it as what we would think of as a blimp, hundreds of yards long, legless, floating in the air. He was understandably surprised and observed it for an hour or more. For him, its principal issue was as a sign or portent, and he had to figure out what it portended. He ended up deciding it was like Leviathan in the Bible. Leviathan, principally known from the Book of Job as a huge, horrible monster did breathe fire (as do modern depictions of dragons), though the monk's floating dragon did not.
© C. Dale Brittain 2019
For more on medieval literature, see my ebook, Positively Medieval: Life and Society in the Middle Ages.
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