A challenge for American film makers and TV producers is getting good backdrops for costume dramas. They can manage a story set in the 1950s or even 1930s. There are plenty of small towns (and even neighborhoods in large cities) with streets where all the buildings were built before WW II, and thus all the producers really need to do is get the modern cars off the streets and make sure the people in the background aren't wearing jeans and hoodies.
But for pretty much any story set before the twentieth century, finding a good location is a challenge. For a long time movies avoided the challenge by having everything take place on sets constructed for the purpose. Need a trackless forest? Paint a picture of it and stick it behind the actors. Need a scene inside a castle's great hall? Easy. Build a plywood wall and paint a stone wall on it. A little grey paint, and there you are.
This works for live drama. People going to a play are perfectly aware that they are sitting in a theatre, watching people on a stage. They can deal with painted plywood passed off as a stone wall. But those watching movies or, these days, a lot of TV shows want things to look realistic.
European producers have it a lot easier because they have a lot of old buildings on hand already. American producers will travel to Europe to find good locations. Now, there's a lot of mix-and-match that producers use with their locations. The hero may walk down a street in one village, walk up the front steps of a house not actually in that village, and go into an interior of still a different house. The scenes are stitched together so it looks like the scene is all the same place, but the clever locations manager has found the best exteriors and interiors for the story, even if they aren't all actually together.
Dramatization of Jane Austen novels, set in the early nineteenth century, can use real places like the city of Bath (a spa town then and now) and have a choice of British country houses for the homes of the heroines, either exterior or interior or both. If one looks closely one may see the plastic plates on interior doors that are put on to keep a swinging door from being worn down by constant hands, or a sign by the front door that tells you the hours the house is open to tours, but they still do a good job of looking authentic.
Shows like "Downton Abbey" have the advantage that they can use both the exterior and the interior of Highclere castle (not actually a castle, a late eighteenth-century manor house that is in the south of England, not in Yorkshire where "Downton Abbey" is set). But the old servants' quarters no longer exist, so those scenes at least are shot in a studio. Highclere itself has benefited mightily from the show, and tours now go there, and you can have tours, enjoy a high tea, and buy souvenirs.
Some of the settings for the "Game of Thrones" show are hoping for a comparable tourist surge. An example is the castle of Doune in Scotland (shown above), whose great hall was used for the great hall of the castle of Winterfell in the show. It's smaller than the great, sprawling Winterfell of the story, and it's partly ruined, but it's still a very nice castle.
© C. Dale Brittain 2019
For more on castles and other aspects of medieval history, see my ebook Positively Medieval, available on Amazon and other ebook platforms.
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