Brother is the Enemy

 We tend to think of families as all getting along and supporting and protecting each other.  For most families in the Middle Ages, that was probably the norm as well.  But just as today siblings can become very competitive over such things as "who gets Grandma's gold coin collection," so among the medieval aristocracy there was often fierce competition between brothers.

This is to be anticipated, because even though there were no strict rules of primogeniture (that is, of the oldest son getting everything), oldest sons did tend to inherit more, and the younger sons thought this was Totally Unfair.  Throughout the medieval and early modern period there were plenty of tales about three brothers, where the oldest gets the big inheritance, the middle one gets some small thing, and the third is told, "Good luck, kid."  Of course in these stories the youngest heads off and finds something worth far more than the original inheritance, and even a princess to marry.  Take that, older brother!

The Merovingian kings of what is now France (fifth to eighth centuries) were described by contemporaries as ready to slay their brothers and cousins.  The various small kingdoms, into which what is now France and the Low Countries were divided, were parceled out between heirs, who then decided the best way to add to their holdings was to kill their rivals.  Gregory of Tours, chief historian of the Merovingian era, said that Clovis, first of the kings, complained loudly that he was alone in the world without any relatives, in the hopes of luring some relatives out of hiding so he could kill them.

The Carolingian kings were not much better (eighth to tenth centuries).  Charlemagne had a younger brother, named Carloman, whom Charlemagne's biographer Einhard said died of "some disease."  Einhard went on to say that he couldn't imagine why Carloman's widow then fled with her children.  (One can imagine just fine.)

Charlemagne's grandsons were each given a kingdom of their own, Germany for Louis, France for Charles, and the "Middle Kingdom" (including Italy) for Lothair.  Louis and Charles immediately ganged up on their brother, as perhaps should be expected.  In the confusion and disagreements over the next two generations, a kingdom of Burgundy was established within what Lothair had thought was his kingdom, and Boso declared himself king, only to be opposed by his brother Richard, who told the Carolingian kings that he was their little friend.

In England after the 1066 Norman Conquest, William the Conqueror designated Normandy, the family inheritance, for his oldest son, Robert Curthose, designated newly conquered England for his second son, William Rufus, and told Henry, the third son, "Sorry, kid."  When William Rufus died without heirs in 1100, Henry immediately took his brother's throne.  Robert Curthose was off on Crusade and was understandably shocked when he got home.  Extensive fighting then took place, and Henry eventually won, taking Normandy as well as England and locking up his brother for the rest of his life.

In France, it was often remarked in the thirteenth century, with some wonderment, that the younger brothers of the king didn't try to kill him, not even a little.  In part this was due to the kings parceling out large chunks of territory (appanages) to their younger brothers.

These examples are all of the most powerful (and there are plenty more examples of fraternal warfare).  Peasant families in contrast tended to act in solidarity.  After all, they could not call up armies or faithful followers (like Boso's brother Richard) to fight against their relatives.  Landlords were more likely than brothers to be seen as the enemy.

© C. Dale Brittain 2023

For more on medieval political and social history, see my ebook Positively Medieval, available on Amazon and other ebook platforms.  Also available in paperback.

Old French

 Old French, like the medieval versions of Spanish, Portuguese, Italian, and Romanian, plus other variants (like Provençal), derived ultimately from Latin.  They are called Romance languages because they derive from the language of ancient Rome.  But Old French is much closer to modern French than what is called Old English is to modern English.

This is because what we call Old English is Anglo-Saxon, the Germanic language that was spoken in England before the Norman Conquest.  English had to incorporate a lot of French in the centuries after 1066, including going through the Middle English phase, before it became sort of what we think of as modern English in the seventeenth century.  Old French in contrast never had to incorporate an entirely different language.  (The number of words in modern English is roughly the same as the vocabularies of modern French and German put together.)

The first examples of Romance languages becoming distinct from Latin date to the ninth century.  At this point it was recognized that the pronunciation of a lot of words didn't exactly match the Latin spelling and that the grammar was increasingly different.  We should not of course be surprised at early medieval people accepting that spelling and pronunciation didn't match.  Look how English speakers pronounce though, through, tough, cough, and bough.

Written Old French came into its own in the twelfth century, primarily for stories, epics and romances.  Songs were also written in Old French.  A lot of stories had doubtless been told in the vernacular (that is, the everyday spoken language) for a long time, and songs sung in it, but now they were written down in it.

Most twelfth-century education was in Latin, and monks and bishops could converse and write fluently in correct classical Latin.  But as the century went on, more and more Old French was added to the educational mix.

During the middle years of the thirteenth century, some legal documents started being drawn up in Old French.  The spelling was subject to a great deal of variation, so that "I," ego in Latin, was spelled both je (as in modern French) and ge.  It seems clear that it was pronounced with the J sound, no matter how it was spelled.  But thirteenth-century French is close enough to modern French that a modern French speaker can read it relatively easily, with no more difficulty than a modern English speaker has in reading Shakespeare's sixteenth-century English.

Not everybody went over to using Old French.  For an especially important document, Latin was still preferred.  Stories might be told in Old French, but theological and political treatises were written in Latin.  Popes and bishops issued their documents in Latin, not the vernacular (popes still use Latin for official pronouncements).  For that matter, English scholars (like Isaac Newton) were still writing serious works in Latin in the seventeenth and eighteenth century.

But the spread of Old French made it easier for more people to become literate, especially once paper started replacing the much more expensive parchment at the end of the thirteenth century.  Then one just needed to learn to read and write, not pick up a foreign language in the process.

© C. Dale Brittain 2023

For more on medieval language and social history, see my ebook Positively Medieval, available on Amazon and other ebook platforms.  Also available in paperback.