Manuscript Fragments

 A lot of medieval manuscripts survive only in fragments.  There is indeed a whole field within medieval studies, fragmentology, dedicated to finding and studying such fragments.  Some of the fragments are due to medieval and early modern monks (and nuns) reusing old parchment, some to modern antiquities dealers cutting up medieval manuscripts and selling them piece-meal.  And that doesn't even include the damage parchment often suffered from floods, fire, and nibbling by rats or mice.

Parchment was valuable, regardless of what was written on it.  Hence if a book or charter became outdated for some reason, there was a strong incentive to reuse the parchment.  A confirmation from king or pope would of course be kept, but the records of donations by petty landowners to a monastery, or the final settling of a quarrel involving people now dead, would have little intrinsic value once the recording charter was copied into a cartulary.  Similarly, if the liturgy had changed, old liturgical books would become useless.

The old parchment would especially be used in book binding.  It would be cut into the appropriate shape and used especially as a backing for the boards of the cover or to shape the curve of the spine.  The bookbinders would make no effort to erase what was written on the parchment.  Scholars studying such fragments are always on the lookout for them in old bindings, though taking them out for closer examination is difficult if one does not want to mess up the book of which they are now a part.

Recently endoscopic cameras have been used to peek inside the gap between the outside of a bound book's spine and the inner part, where the individual gatherings of pages are sewn together.  (Take an old hardcover book off your shelf and open it, and you'll see what I mean.  Most modern books just glue the pages in, but older ones still sewed the so-called signatures as medieval bookbinders did.)  Yes, this endoscopic camera, a tiny camera at the end of a flexible coil, is like what they use to give you a colonoscopy.

As well as monks themselves cutting up medieval manuscripts they considered useless, we have modern collectors providing a market for pieces of manuscripts considered lovely.  There was a nineteenth-century craze for cutting out the illuminated initials from manuscripts and pasting them into scrapbooks.

More recently, art and antiquities dealers have recognized that a lot of people find the Middle Ages interesting and would be delighted to own a small part of it.  A cut-up manuscript, sold page by page, yields a lot more revenue than selling a complete manuscript.  Undecorated manuscripts may end up in a library, but religious manuscripts with interesting initials and colors are often cut up.

This is a page from a missal (a liturgical manuscript) I myself own.  It's late medieval, probably from France or possibly Italy.  It was given to my father many years ago, by one of his students, and there is no record of how it got to the (long ago closed) gift shop in upstate New York where it was purchased.  Although I am now one of those owning such a fragment, I would never go out and buy one.  The argument for doing so is too similar to, "But the snow leopard was already long dead when I bought the coat made from its fur."

One of the most famous missals to be cut up and sold as individual pages is the one from late medieval Beauvais (France).  Lisa Fagin Davis, executive director of the Medieval Academy of America, is leading a project to try to find all the leaves (some are in libraries, some in private hands, some at universities) and create a "virtual" complete missal, images of all the pages in the right order.  They really are lovely, more highly decorated than my missal page (which is not part of the Beauvais missal, I checked).

© C. Dale Brittain 2024

For more on medieval manuscripts, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.  Also available in paperback.

Medieval Coins

 Medieval people used coins, as had the Romans before them, and a surprising number of such old coins still survive.  Where do they come from? you ask.  Well, a lot of numismatists (those who study coins) and archaeologists (those who study the material objects left by former peoples) would like to know, but the coin market is pretty much a Wild West.

Some coins come from hoards.  That is, at a certain point in the past someone took a lot of coins and hid them, probably digging a hole and burying them, planning to come back "soon."  But they never did, and the coins remained hidden over the centuries.  Coin hoards are very interesting to an archaeologist, because coins can generally be dated (at least roughly), and if one is digging up the foundations of a medieval barn and find a hoard where the newest coins are from the mid twelfth century, then one knows the barn was around then or not much later.

The image above is of a hoard found in Scotland.  It's all Roman coins, doubtless from a paymaster who was getting ready to pay his legionnaires but somehow didn't.  The coins are silver, about the size of a quarter.  This hoard was taken to a museum, as such finds should be.  But unfortunately a whole lot of hoards are broken up, sold one by one, with little or no indication of where they came from.  Such coins without a "provenance" as it's called (information on where it's been since created) can be bought surprisingly inexpensively.

The image below is of a twelfth-century Burgundian coin, given to me as a gift by someone who knew I worked on twelfth-century Burgundy.  It's a silver penny and about the size of a dime or a little smaller.

Silver was the standard for coins of value in the Middle Ages.  The Romans had had gold coins, used to buy more expensive objects, but gold coins were rarely minted in the Middle Ages.  A great deal of ordinary business was transacted with bronze coins, worth less than a silver penny.  Interestingly, the former Vikings of Iceland ran short of coins in the twelfth century, once they stopped raiding, when their only source of such money was Norway buying wool from them (and demanding the money back to pay for timber and other things that Iceland lacked).  So they started using lengths of wool cloth as currency, the Althing (their governing body) declaring each year how much a length was worth in silver pennies.  Sort of like writing a check, but bulkier.

Being in charge of a mint in medieval Europe was a sign of power and status.  A lot of counts had their own mints (my little silver penny was minted under the authority of the count of Nevers).  Kings especially minted larger denomination coins and were proud to put their own image on them, as in this coin of Charlemagne's, where he is portrayed as a Roman emperor.

 Medieval rulers would routinely try to reduce the real value of their coins without reducing the nominal value.  So a silver penny might be made a tiny bit thinner, or the silver might be mixed with tin or bronze, just a tiny bit.  (Then a tiny bit more when the coins were melted down to make new ones.)  This was especially appealing if they had agreed to pay workers more.  ("See, 12 silver pennies, just like I promised.  What do you mean they look kind of funky.")

The Wild West aspect of collecting medieval coins is heightened by the fact that a coin is intrinsically valuable, for the silver (even if alloyed) and for the historical rarity.  So people with collections sell coins if they need (modern) cash.  And why bother verifying the provenance?  Or the grandkids may find a small collection in Grandpa's attic and sell them off one at a time.  Coins can travel great distances.

One of the largest collections of Byzantine coins in the US is in Lincoln, Nebraska, at the university.  The Perry-Campbell collection has some 4000 coins that Mr. Campbell collected in the first half of the twentieth century, while living in Istanbul.  He would buy coins from the locals, who'd found them in their house or dug them up or were breaking down an old collection, and he boasted he paid maybe 10 or 15 cents on average for each.  He liked to show his collection to others interested in old coins, and they'd often trade, further obscuring any provenance that might once have existed.  The coins ended up in Nebraska because that's where Mrs. Campbell was from.  They are uncatalogued, though a graduate student (Samuel Skokan) is doing a good job getting them organized.

© C. Dale Brittain 2024

For more on the medieval economy, see my new ebook, Positively Medieval: Life and Society in the Middle Ages.  Also available in paperback.

Seals

 We use signatures symbolically to indicate our agreement to something or to authorize it.  Go into the bank to set up an account or apply for a loan, and you'll have to sign in a great many places.  A presidential executive order is not official until signed.  A piece of paper with maybe a flower on it that says "this piece of paper is worth $346.18" (ie a check) takes its validity from your signature.  When you agree that you have read and accepted the terms and conditions of a website (yeah, like you've actually read them all), you "sign electronically" by checking a box.

Medieval people occasionally signed, but more often they used seals.  The Romans had used seals, generally lead.  Hot lead would be dribbled onto something, then imprinted with a signet (note the similarity to the word signature).  This might have a small image of something but would have the official name as well.

The Byzantine emperors, heir to the Romans, continued using lead seals.  But they, and the popes, who also were heirs to Rome, soon switched from hot lead to cold lead.  Because lead is quite a soft metal, one could use a powerful press to mark the lead with the signet.  Instead of an uneven blob of (originally molten) lead, one would have a nice round seal, previously made in an even shape, then imprinted.  Of course the imprinting would sometimes be a little off center, but it was still a lot better than a blob.

During the early Middle Ages, wax rather than lead became the standard for most seals.  Lead seals had been used by emperors and popes (who continued to use lead, just as they continued to use papyrus when everyone else was using parchment, as I have discussed previously).  But wax seals slowly worked its way down the social ladder, to kings, to great dukes and counts, to lords of castles, to bishops and abbots, to city mayors by the thirteenth century.

Originally the way to seal with wax was to cut a slit in the parchment and dribble soft wax through, then press a signet on both sides (different images, seal and counter-seal).  But soon instead documents began to be sealed by folding up the bottom an inch or so, cutting a slit through both layers, running a cord or a strip of parchment through the slits, and attaching the two ends together with a ball of soft wax that was sealed on both sides.

 

The above image of Magna Carta shows the document King John was forced to sign, with his seal hung off the bottom.

As was the case here, seals were usually colored red.  But cream colored seals (natural wax color) are also found.  In the nineteenth century some collectors cut the seals off charters, just leaving the slits by which they had previously been attached.  Some people living in farms that had once been monastic buildings melted down the seals to make wax to seal their jars of jam.  This is very depressing for medievalists.

 © C. Dale Brittain 2024

For more on medieval documents and other aspects of medieval social history, see my ebook Positively Medieval, available on Amazon and other ebook platforms. Also available in paperback.

Reims cathedral

 Reims cathedral is now considered one of the glories of Gothic architecture, built in the thirteenth century more or less to a single plan, unlike some other cathedrals that might have their construction last for generations, meaning the style kept changing.

 Unlike Notre Dame, where the flying buttresses had to be added later, when the lead roof started pushing down on the walls so they started bowing out, Reims had flying buttresses from the beginning.  It also has lovely sculptures, like this angel with a Mona Lisa smile.

But Reims' importance went back far before the thirteenth century.  Saint Remigius, who was bishop of Reims at the end of the fifth century, baptized Clovis, king of the Franks, making him the first Christian king of the Franks and, in subsequent generations, considered the first king of France.  There is a plaque today in the thirteenth-century cathedral showing the exact spot where this is supposed to have happened.

Down the street from the cathedral is the old monastery of St.-Remi, dedicated to Saint Remigius.  The monastery and the cathedral have had a constant low-level dispute since the sixth century over who the saint loves best, the cathedral where he was bishop or the monastery where he was buried.  St.-Remi built a new, lovely Romanesque church in the twelfth century, totally outshining the then cathedral (300 years old at the time), but then the bishop and cathedral canons built their thirteenth-century church, much bigger and snazzier, and were able to sneer.

Because Clovis was baptized at Reims, the Carolingian kings of France in the ninth-tenth centuries started being crowned there, as an effort to connect themselves with their Merovingian predecessors.  French kings continued being crowned at Reims, with few exceptions.  Joan of Arc had to lead an army to clear a path to Reims to get the dauphin there to be crowned.  Paris really only became France's capital at the end of the tenth century, when the Capetian dynasty came to power (they'd previously been counts of Paris), and nobody wanted to break with tradition.

Reims cathedral was, deplorably, shelled during World War I (battle of the Marne and all that).  However, the walls were still there and most of the outside statues (like the angel).  It was rebuilt over many years, finished just in time for World War II, though fortunately it escaped damage then.  Its rebuilding gave hope to those rebuilding Notre Dame of Paris, which was in fact less badly damaged (the roof went but much of the interior survived, due to a stone ceiling below the lead roof).  Notre Dame will not be finished by the summer 2024 Olympics, the original goal, but it's coming right along.

The word Reims, by the way, may be hard to pronounce (it's something like "rhanz").  The British spell it Rheims and pronounce it "reemz."  Just so you know.

© C. Dale Brittain 2024

For more on the medieval church, see my ebook, Positively Medieval:  Life and Society in the Middle Ages.  Also available in paperback.