As well as a medievalist, I'm a fantasy writer, whose fantasy ranges from pretty-close-to-real-medieval-settings (other than the introduction of magic and zero effort to place the story among real historical events) to what might be termed medieval-adjacent. In the latter category is the series that begins with The Starlight Raven.
It's medieval-adjacent in that the setting looks vaguely how Europe would have looked in the Middle Ages, cities widely spaced with mostly farming villages in between, lots of woodland, castles here and there, cathedrals with bishops, knights who fight with lance and sword, heating provided by fireplaces, and countries ruled by kings. It's lacking a lot of what we think of as defining the modern world, including no New World (no Americas), no Protestant Reformation, no guns, and rather minimal industrialization, and that run by magic.
On the other hand, in many ways the setting is nineteenth-century. They don't have electricity, but they do have magic-run telephones (land lines) and magic-run printing presses. Houses have running water. There is sort-of universal education for young people. I'm a historian. If I'm anachronistic, I do it on purpose.
Like all good fantasy, it's actually about themes that are important today, semi-concealed in a story that includes wizards and dragons. It's about growing up, about finding your own identity. It's about being a teenager, somewhere between needing a hug when you're frightened or have messed up, and wanting to do everything independently. It's especially about coming to terms with gender expectations and not accepting that girl-stuff and boy-stuff have to be totally separate.
The series is a "next generation" series, following on the Royal Wizard of Yurt series, which began with A Bad Spell in Yurt, my first published novel. However, it can be read on its own without reading the previous series. There are currently three more novels in the series after The Starlight Raven, with more on the way.
Click here for the link to the US Amazon sales page. It's available as both an ebook and a paperback.
Here's the opening to whet your appetite:
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Of course I knew my mother was a witch.
She never needed a match to light the fire. She knew immediately if someone new had come to town, even if she had spent the entire day at home, sewing. Sometimes in the evening, after she had finished tailoring a new ballgown for the mayor’s daughter or embroidering a new altar-cloth for the church, women would knock quietly on our door, giving quick glances up and down the cobbled street, and Mother would tell them if they were going to have a baby boy or a girl.
But I had no intention of living an uneventful life as a small-town witch. I was going to study to be a real wizard.
That would be easy, I thought. My father was head of the wizards’ school in the great City, a much more interesting place than our little town of Caelrhon. He’d said himself that I could come and study there when I became fourteen, the first girl the wizards’ school had ever admitted. Already I knew how to turn someone into a frog, something even my mother couldn’t do.
But on my fourteenth birthday it all became much less easy.
© C. Dale Brittain 2025
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