Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Sunday, November 13, 2022

500 Posts

So this is a milestone.  This marks the 500th post on my blog, "Life in the Middle Ages."

I started the blog back in 2014, over eight years ago, because I knew there was a lot of interest in medieval social history but not necessarily a lot of places to actually learn about it.  Sure, there were little "fun fact" things that might mention something from the Middle Ages, such as, "Medieval kings often received visitors while in the bathtub," complete with a drawing of someone lying in a clawfoot tub, wearing a crown, greeting someone dressed like the Vatican's Swiss guard.  (Ultimate source for this highly unlikely image is a comment by a contemporary biographer of Charlemagne, saying the king invited his courtiers to join him in the hot spring baths of Aachen, which would have been more like a small swimming pool.)  But I wanted to provide a look at how medieval people lived their lives, in an informal but scholarly accurate way.

The blog has been a success.  It routinely gets hundreds of hits a day.  I think some home-school curricula include links to it.  My post on "medieval farm animals" is especially popular, being viewed multiple times a day.  I try to post new material fairly regularly, but there's a whole lot out there already, everything from what medieval marriage was like, to latrines, to war horses, to medieval diet, to the origins of universities, to the history of the Bible, and so much more.  Scroll through, and I'm sure you'll find something interesting.

Along the way I also discuss, at least in passing, some of the things that modern western society takes for granted, like electricity and clean running water (and chocolate), to draw a contrast between our lives and those of our ancestors.  On the other hand, a constant effort has been not to draw too sharp a contrast between us and medieval people.  They really are like us in everything besides the material objects that surround us.  Looking down at people of the past as somehow defective because they didn't have cell phones doesn't help anything.

I also blog intermittently about my own fiction.  I write fantasy, set in a semi-medieval world.  It helps that in knowing a lot of real medieval history I can add texture and detail to the background.  And when I'm anachronistic, I'm doing it on purpose.


So if you've just stumbled across my blog, or if you've been following it for a long time, I hope you continue to find it enjoyable.  And are there topics I've never covered that you'd like to know about?  If so, let me know in the comments section, or email me (link in my profile).

© C. Dale Brittain 2022

For much of the material from the first half dozen years of the blog, organized into handy chapters, see my ebook, Positively Medieval:  Life and Society in the Middle Ages.  Also available in paperback, on Amazon and other on-line retailers, or for sale from your local bookstore.



Friday, April 7, 2017

An Autumn Haunting

It isn't autumn right now, it's spring, but my newest book takes place in the fall and is called An Autumn Haunting.  Here's the cover, thanks to Dane at eBookLaunch.



As you can probably tell, it's fantasy with a teen-age heroine.  For those of you who have been C. Dale Brittain fans, it's the second book in the "Yurt, the Next Generation" series, the sequel to The Starlight Raven.  It's about Antonia, daughter of a wizard and a witch (a very rare union), trying to find her way as the only girl at the all-male wizards' school.  In this book she's in her third year at the school, and is hoping things will look up now that they've finally admitted a second young woman.  But her life is complicated because too many of the male students seem unduly interested in her, and then a terrifying haunting shows up….

(And let us all note that I had already been publishing books with a wizards' school for many years before "Harry Potter" showed up.)

It's available both as an ebook and as a paperback (your choice), available through Amazon here.  In the near future, it should also become an ebook on other e-tailers.  Amazon assumes most ebook readers will read on a Kindle, but they have free apps so you can also read on your computer, on a tablet, on an iPad, or even on your phone if you like reading one sentence at a time.

For those of you thinking, "Gee, haven't you been writing a lot of books lately?" the answer is that I've finally been able to retire from that pesky day job and get back to some stories I'd sort-of written as long ago as a dozen years, and get them into final form.  (Besides, aren't more books good?)

Here's the opening to whet your appetite:


AN AUTUMN HAUNTING

PART ONE 

To the left of me, Chlodomer gasped.  “They’re not supposed to do that!”  Something very strange was happening to his rats’ tails.
To the right of me, Harduin’s rats were growing bigger and bigger, until the wires of the cage made deep dents in their fur.
But mine, giving me what I could have sworn were reproachful looks from their little pink eyes, just keeled over, paws in the air.
“Antonia,” said the Potions teacher from the front of the room, “if the spells are beyond your abilities, you know you should have come and talked to me.”
This was not “beyond my abilities.”  I’d known exactly what I was doing.  This couldn’t be happening!  Unless—
“Hey, ’Tonia,” said Chlodomer in a whisper.  “What a change!  You messed up even worse than me!”
Five more minutes.  Potions Practical would be over in five more minutes.  If I gritted my teeth I could make it out of the room before rather than after I started screaming at somebody.

If I’d had to choose someone to slam into, it wouldn’t have been Prince Walther.
But then it was hard to make a choice, running down the stairs so fast I was barely touching the steps.  Only a quick spell saved me from going right over the railing at the last landing.  When Walther stepped out the doorway directly in front of me, it was much too late even to think of a spell.  We both sprawled across the staircase, and the books he’d been carrying sailed in all directions.
“Antonia!  Slow down!” he said, standing back up and taking me by the elbow.  He sounded as serious and sharp as one of our teachers.  Two words in the Hidden Language drew all his scattered books together, and they tidily stacked themselves on the step beside him.  “You are going to hurt yourself if you’re not careful!”
The last thing I needed was to be lectured by someone the same age as I was.  I picked myself up slowly.  He was smiling, or at least showing his teeth.
But I had to talk to somebody.  “They’ve sabotaged my potions!  And now they’re blaming me!”
He stopped straightening his student robe to look at me, one eyebrow lifted skeptically.
Walther had excellent eyebrows, heavy and black, under a thick shock of dark hair.  I was never able to make one of my brows lift independently, as much as I practiced in front of the mirror.  I could probably have raised one with magic, but that would be unfair.  And I wasn’t about to be distracted now by facial hair.
“We were working on potions in class,” I said, a little more calmly, “herbal potions—some to strengthen, some to make a creature grow, some to give it a new color.”
Prince Walther nodded soberly.  A smile never looked right on his face anyway.
“And we tried them on rats.  Everybody else’s potions worked—some rats turned green, some shrank so small they were almost able to squeeze through the bars of their cages, some got so strong they were able to rip their cages open and the teacher had to stop them with a binding spell.  Chlodomer’s rats all grew a second tail, though I don’t think that’s what he intended.  But all my rats just rolled over on their backs and died!”
When I looked away from him I could still see their reproachful little pink eyes.
“And you think this was sabotage,” he said quietly.
“Well, what else could it be?” I demanded.  “I know I did the spells right.  And everybody else’s were working fine.  But when I told the teacher somebody had been messing with my potions, he didn’t believe me!”
“What did he say?”  Walther lifted an eyebrow again, and he looked as if he didn’t believe me either.
“He told me that I needed to study the chapter again, ‘properly this time.’  And that wasn’t even the worst!  He said that maybe my ‘pretty little head’ just wasn’t made for doing magic!  He thinks I can’t study magic because I’m a girl!”
Walther sat down beside his books.  I noticed absently that the top one was a history of the Black Wars.  He tried to smile again, but it was not a success—he looked for a second as though he felt someone might not think he could study magic.  Which was silly.
I wished I didn’t feel overawed by him.  It was only, I told myself, because he was a prince, and because he was the only student in our year who might be as good at magic as I was, and because he had grown so tall in the time we’d both been at the wizards’ school.
The momentary look of pain on his face was gone as if it had never been there.  “Antonia, don’t start that,” he said, almost lecturing me.  “You’ve a third-year student now, not a beginner.  All the teachers know you’re smart.  You’re one of the best wizardry students in our class.”
“If they think so, then why haven’t they admitted any other girls?  No, they all just believe I’ve done as well as I have only because I’m the Master’s daughter.”
I sat down next to him, wishing gloomily that there was another wizards’ school somewhere I could attend, somewhere I wasn’t related to anyone.  But without Father they would never admit me in the first place.
“If you want them to respect you, storming out of the middle of class isn’t going to make you look responsible,” said Walther severely.  I started regretting having said anything to him.  At one time I’d thought we were friends.  What had gotten into him lately?
“It wasn’t the middle of class,” I said, glaring at the floor.  “We were done.  All that was left was cleaning up.  And I wasn’t about to clean up a potion that someone else had poisoned!”
And it was feeling so guilty about the dead rats that made me want to scream, run, anything but look at their lifeless little forms.
“I would have thought,” said Walther slowly, “that you’d have been very careful to save the sabotaged potions.  They could show you who did it—if you didn’t, of course, just do the spells wrong.”
Why hadn’t I thought of that?  I jumped up, almost knocking Walther over again as he too rose to his feet.  “I’d better get right back!  Sorry I bumped you!” I yelled over my shoulder as I shot up the stairs.  So the apology was five minutes late.  So at least I’d given one.
Back in the classroom, the other students were pouring the last of their potions into the big tub, over which our teacher mumbled neutralizing spells.  The teacher’s assistant, Nivard, one of the older students, was helping clean up.  Right now he was trying unsuccessfully to calm down a rat enough so that it would drink a potion to reverse the spell put on it.  It was one of Chlodomer’s that had grown a second tail, and it bit madly at the tail, squealing with pain and bleeding hard, and did not stop biting.
After a minute Nivard shrugged, took the rat firmly by head and hindquarters, and jerked hard to break the spine.  “Sorry, little one,” he said as the rat went limp, and he dropped the body into the incinerator.
My own dead rats were already gone.  In fact, my bench space was strangely clean and empty.
“I cleaned it up for you, ’Tonia,” said Chlodomer, coming over and smiling.  He gave a quick glance toward our teacher.  “I knew you were upset, and I didn’t want you to get into more trouble by leaving your bench space messy.”  Tall, gangly, and freckled, he was five years older than I was, because I had entered the school much earlier than students usually did, but it was always hard to remember he wasn’t younger.
I forced myself to smile back.  He’d meant well, and I couldn’t expect Chlodomer to have known that I wanted to save the potions, since I hadn’t thought of it myself.
Our teacher saw me and nodded rather distantly.  Some of the potions in the tub appeared to be interacting badly, bubbling and sending off smoke.  He added new phrases in the Hidden Language and poured in another potion that seemed to settle things a bit.
“Let’s go get something to eat before our afternoon discussion section,” said Chlodomer.  “I can tell you how I figured out a potion to make my rats return to normal—all except for that one,” he added regretfully.
I wasn’t hungry, but there didn’t seem any point in hanging around—especially since our teacher might have been planning to tell me that even girls with pretty little heads needed to clean up their own failures.
We slipped out and walked down the stairs, Chlodomer speculating on why a potion that was supposed to make his rats able to run very fast had given them extra tails instead.  He’d been able to reverse the spell by adding a handful of chopped dragon’s-bane to his original concoction, but he still wasn’t sure what had gone wrong in the first place.
When we reached the lower landing, Prince Walther was gone.

© C. Dale Brittain 2017 

Saturday, October 1, 2016

A Bad Spell in Yurt

I've been writing stories since I was five years old.  Being a published author is a more recent development, however.  It's been just twenty-five years since my first book came out from Baen Books, a New York publisher specializing in fantasy and science fiction.  (Cover below.)



In honor of the twenty-fifth anniversary of A Bad Spell in Yurt, it has just been reissued in large format (trade) paperback, with the same great Tom Kidd art on the cover (see below).  Tom did a terrific job making Daimbert, my young wizard hero, look like himself.  Daimbert is not nearly as competent a wizard as he would like to be, but he has still managed to become Royal Wizard of Yurt.  On the cover, Daimbert is trying to work out how to work a magic glass telephone.



The new paperback is available directly from the publisher, CreateSpace, as well as from Amazon and Barnes & Noble--or from your own favorite bookstore.

The characters and situations came to me quite literally in a dream, along with the opening lines:  "I was not a very good wizard.  But it was not a very big kingdom."  (I should have more dreams like that....)  I wrote it in about four months, decided it was the best thing I'd ever written, and Baen accepted it with remarkably little fuss.

It was not of course the first thing I'd ever written, or the first time I'd tried to get a book published.  In elementary school I would fold sheets of manila paper so they looked (sort of) like a book and write and illustrate my own children's stories.  By junior high, I was writing chapter-books (as they are now called) on lined paper.  At a certain point I started typing on an old WWI era typewriter.  It was very exciting when, in high school, my parents bought me a (used) electric typewriter and I learned touch-typing.  By then I was reading "how to write" books from the library (something I'd recommend to any would-be writer), and figuring out things like avoiding clichés, ways to develop characterization, description versus action, how to get in background material, and the like.

In high school and college and graduate school I continued writing for fun, in many different genres, though fantasy was probably the most common (I read Lord of the Rings at an impressionable stage).  I had a whole series of 8 or 10 books that now look (sort of) like what George Martin started doing years later, high adventure in an imagined medieval-style world with fairly minimal magic.  The first was about Airnthal Silverblade, daughter of the king, on a secret mission into the enemy's capital.  I tried it on several publishers; it's probably just as well none took it.

So it was extremely exciting to get Daimbert out in the world.  It became a fantasy/science fiction best-seller and went through three printings in mass-market (small size) paperback.  In some ways, however, that early success has defined me.  Bad Spell was followed by five more novels and three novellas about Daimbert.  I've tried publishing other types of fantasy, but my fans just become distraught, feeling I'm wasting my time writing about anything but Daimbert.  I've recently started a new "Yurt, the Next Generation" series, and some fans can't even deal with that.

So for any die-hard Daimbert fans with a disintegrating twenty-five-year-old Baen paperback, now's your chance to get the new edition.  And now that book reading has branched out, you can also get Bad Spell as an ebook from Amazon and other e-tailers, or as an audiobook from Audible.  (The rest of the Daimbert books are also available as ebooks, and most of them as audiobooks.)  Enjoy!

© C. Dale Brittain 2016

Wednesday, February 25, 2015

The World's Oldest Literature

Fantasy is now considered a sub genre of science fiction, sometimes dismissed as juvenile or "not really" literature.  People like Margaret Atwood who write what sure looks like speculative fiction deny vehemently that they are doing so.

But there is nothing to be embarrassed about in enjoying fantasy (or, for that matter, science fiction).  It is after all the world's oldest literature.

Think about what makes fantasy be fantasy (aside from the wizards and dragons).  It's about somewhat larger than life characters, having exciting adventures in a world imbued with the marvelous and supernatural.  This describes the Epic of Gilgamesh.  It describes the Iliad and the Odyssey.  For that matter, it describes the Bible.

The authors were able to make strong moral points without being pedantic.  One of their repeated points was that even the greatest heroes were flawed, which works better as a theme when the great heroes are larger than life, rather than just ordinary-joes trying to get by.



In the Middle Ages, fantasy took essentially the form it has today, because modern fantasy was created by writers steeped in real medieval literature.  (For more on medieval-themed fantasy, click here.)  Stories like the Song of Roland, all the King Arthur stories, and the other epics and romances all featured wonderfully brave and strong heroes (usually noble), lovely maidens, and a lot of supernatural feats.  Dragons (serpents) and weird monsters also put in an appearance.

Fantasy continued to be a major part of the literature of the early modern period.  Many of Shakespeare's plays (think Hamlet or Macbeth or The Tempest) have undoubted fantastic elements.  Milton's Paradise Lost is bubbling over with the supernatural.  As late as the nineteenth century and Faust (to say nothing of Wagner's Ring operas, based on the medieval Nibelungenlied), authors were happy to include gods, deals with the devil, and amazingly powerful heroes (with flaws).

Only in the twentieth century did mainstream literature decide that "fairy stories" were for children.  Tolkien described this as analogous to the adults deciding that the old living room couch would do for the children's playroom, not because it was inherently suited for little ones, but because they were just passing down something they didn't want anymore.

Now, I have read and enjoyed a great deal of modern, essentially realistic fiction.  But isn't it more fun to read about wizards than about somebody folding the laundry and wondering if they have enough quarters for the parking meter?

(Click here for further thoughts on fantasy and science fiction.)

© C. Dale Brittain 2015